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Marilyn Manson Photo Gallery Portrait of an American Family Era

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1994 studio album past Marilyn Manson

Portrait of an American Family
Marilyn Manson - Portrait of an American Family.png
Studio album by

Marilyn Manson
Released July nineteen, 1994 (1994-07-nineteen)
Recorded August–December 1993
Studio
  • Criteria (Miami)
  • Le Sus scrofa (Beverly Hills)
  • The Record Plant and The Village Recorder (Los Angeles)
Genre
  • Industrial metallic[1]
  • alternative metallic[2]
Length sixty:52
Label
  • Nothing
  • Interscope
Producer
  • Roli Mosimann (original production)
  • Marilyn Manson
  • Trent Reznor
  • Sean Beavan and Alan Moulder (assistant producers)
Marilyn Manson chronology
The Manson Family Anthology
(1993) 		Portrait of an American Family unit
(1994) 		Smells Like Children
(1995)
Singles from Portrait of an American Family unit
  1. "Become Your Gunn"
    Released: June 9, 1994
  2. "Lunchbox"
    Released: February 6, 1995

Portrait of an American Family unit is the debut studio anthology by American rock band Marilyn Manson. Information technology was released on July 19, 1994 by Nothing and Interscope Records. The group was formed in 1989 by vocalist Marilyn Manson and guitarist Daisy Berkowitz, whose names were created past combining the given name of a pop culture icon with the surname of a serial killer: a naming convention which all other band members would conform to for the next seven years. The most prominent lineup of musicians during their determinative years included keyboardist Madonna Wayne Gacy, bassist Gidget Gein and drummer Sara Lee Lucas.

The band's highly visualized concerts earned them a loyal fanbase in the Southward Florida punk and hardcore music scene, eventually gaining the attention of 9 Inch Nails vocalist Trent Reznor, who signed them to his Null Records vanity label. The album was initially produced by Roli Mosimann at Criteria Studios in Miami nether the title The Manson Family unit Anthology. However, the ring was unhappy with his production, and this fabric was then re-produced and remixed in diverse Los Angeles recording studios by Manson and Reznor, forth with banana producers Sean Beavan and Alan Moulder. Parts of the album were re-recorded at Reznor's home studio at 10050 Cielo Drive, where members of the Manson Family infamously committed the Tate murders in 1969.

Gidget Gein was not invited to the L.A. recording sessions. He had been fired from the band in belatedly 1993 due to his ongoing addiction to heroin, and was replaced by Twiggy Ramirez. Despite this, Gein is credited with performing the entirety of the bass piece of work on the album, while the majority of Sara Lee Lucas' live drumming was replaced with electronic pulsate programming from Nine Inch Nails keyboardist Charlie Clouser. The tape contains a wide array of cultural references; Interscope delayed its release on several occasions due to the inclusion of references to Charles Manson, and also considering of objections to its controversial artwork.

Portrait of an American Family was released to express commercial success and mostly positive reviews; in 2017, Rolling Rock deemed the anthology ane of the greatest in the history of heavy metal music. The group embarked on several concert tours to promote the release, including actualization as an opening act on Nine Inch Nails' "Self Destruct Tour", also as the "Portrait of an American Family Bout". "Get Your Gunn" and "Lunchbox" were issued every bit commercial singles, while "Dope Hat" was released equally a promotional single. The record was certified gold by the Recording Industry Association of America in 2003 for shipments of over 500,000 units in the United States.

Background [edit]

Marilyn Manson and the Spooky Kids was formed in December 1989 when vocalist Marilyn Manson met guitarist Daisy Berkowitz at the Reunion Room,[three] a small nightclub in Fort Lauderdale, Florida.[4] The 2 were writing original compositions by the beginning of 1990, with Manson the sole lyricist and Berkowitz composing the majority of music.[3] Until 1996, the names of band members were derived from combining the kickoff name of a pop civilisation icon with the surname of a serial killer.[5] The primeval incarnation of the band also included Olivia Newton Bundy on bass guitar,[six] and Zsa Zsa Speck on keyboards, forth with an electronic drum machine.[7] Speck was hired by the band on a temporary basis equally their original pick for keyboardist, Madonna Wayne Gacy, was unable to obtain a keyboard.[7] The original lineup was retained for ii performances, the first of which took identify at Churchill's Hideaway in Miami, with 20 audience members in attendance.[eight] Equally Gacy could still not afford to buy an instrument, he appeared on-stage at their second show – at the Reunion Room – playing with toy soldiers.[8] Speck and Bundy both exited the group sometime after this performance.[nine]

The band'southward highly visualized concerts primarily drew from elements of shock art.[x] Their alive shows routinely featured naked women nailed to crucifixes, young children locked in cages,[11] apprentice pyrotechnics and sadomasochism,[ten] too as piñatas filled with butchered animate being remains and experiments in opposite psychology.[Northward 1] These concerts quickly earned them a loyal fanbase amidst the Due south Florida punk and hardcore music scene, and were playing sold-out shows in 300-capacity nightclubs throughout Florida within vi months of forming.[4] In February 1990, while working every bit a journalist at 25th Parallel, Manson interviewed Trent Reznor of Ix Inch Nails.[iv] The pair remained friends afterwards, and Reznor was eventually presented with a compilation of the band's demo recordings.[12] After being impressed past the material, Reznor offered the group a spot opening for Nine Inch Nails and Meat Crush Manifesto at Club Nu in Miami on July 3, 1990.[iv]

In early 1991, the grouping signed a record deal with Sony Music. However, Berkowitz after recalled that the president of A&R at the label, Richard Griffin, "personally rejected us inside minutes, saying he liked the show and the idea but 'didn't like the singer'". They used the proceeds of the deal to fund the recording of subsequent demo tapes.[13] Bassist Gidget Gein and alive drummer Sara Lee Lucas would eventually join the band, and they connected touring and releasing EPs independently for the adjacent two years.[11] In Nov 1992, Reznor invited the band's vocalist to attend "strategic talks" in Los Angeles,[four] and to appear equally a guitarist in a music video for the Nine Inch Nails track "Gave Up".[fourteen] By the cease of the year, Marilyn Manson and the Spooky Kids were the showtime act signed by Reznor'south vanity label, Nothing Records,[15] shortening their proper name to Marilyn Manson in the beginning of 1993.[sixteen]

Recording [edit]

"When nosotros were finally finished, Roli had done the contrary of what I'd expected. I thought he was going to bring out some sort of darker element. But he was trying to polish all the rough edges and make united states of america more of a rock ring, a pop ring, which at the time I wasn't interested in at all. I idea the tape we did with him came out banal and lifeless. Trent thought the same matter then he volunteered to help us repair what had been damaged."

—Marilyn Manson discussing the aftermath of the album's initial recording sessions.[17]

Marilyn Manson held recording sessions for their debut anthology, then titled The Manson Family Album, in July 1993 at Criteria Studios in Miami with producer Roli Mosimann.[18] The album consisted of re-recorded versions of songs originally demoed by the grouping during their formative years.[11] According to Loudwire, Mosimann'southward original product aimed for a "sleazy, groove-laden" sound.[18] Sessions ended several months later in the autumn.[19] At this signal, Mosimann created a radio edit of "Snake Eyes and Sissies", indicating that this vocal was intended to be released as the lead single.[20] Even so, the band was unhappy with Mosimann'south production, challenge it to be unrepresentative of their alive performances,[17] while Manson claimed the songs sounded too polished, saying: "I thought, 'This actually sucks.' And then I played it for Trent, and he thought information technology sucked."[11]

Before reworking the album in Los Angeles, the ring played shows in Florida nether the name Mrs. Scabtree,[21] which consisted of members of Marilyn Manson, Amboog-a-Lard, Jack Off Jill and The Crawling. Manson had produced various releases past both of the latter bands in 1993.[22] The band and so travelled to the Record Plant in L.A. to remix The Manson Family Anthology over a seven-week period with Reznor,[18] with Manson explaining: "We spent 7 weeks redoing, fixing, sometimes starting from scratch. That was our band's offset experience in a real studio on a projection this big. We didn't know what to expect. It was xv-hour days, with a team – Trent, Alan Moulder, Sean Beavan, and me – bringing out the sound."[xi] Berkowitz was initially reluctant to re-tape the album, saying: "I felt doing this was unnecessary, and worried it would brand us look like a 9 Inch Nails/Reznor spin-off. The final result, nevertheless, is a very high-quality piece of piece of work."[23]

Berkowitz re-recorded some of his guitar work in L.A., and the vast majority of Sara Lee Lucas' alive drumming was replaced with pulsate programming created by Nine Inch Nails keyboardist Charlie Clouser.[18] Gidget Gein was non invited to these sessions.[18] He had been fired from the band a few days before Christmas 1993 due to his heroin habit. Berkowitz clarified that this was "the second or third time [he was being fired], for beingness a junkie and not showing upwards. And playing really horribly live."[4] He was replaced by Jeordie White of Amboog-a-Lard, who was renamed Twiggy Ramirez.[11] Despite this, Gein is credited with performing the entirety of the bass work on the album,[11] with Ramirez credited for "base tendencies".[24] Gein after died of a heroin overdose in 2008.[25] Post-obit this catamenia of re-recording, The Manson Family Anthology was retitled to Portrait of an American Family.[eighteen] Mosimann was listed in the liner notes as an engineer, with no mention of his original production role.[24]

Sections of the album were recorded and mixed at 10050 Cielo Drive: the address of the house where members of the Manson Family committed the Tate murders in 1969.[26] Reznor rented the property in 1992 and congenital a recording studio within the residence, which he named 'Pig'—a reference to that word beingness written with Sharon Tate's blood on the front end door of the house on the night of the massacre.[27] [28] The studio is credited as 'Le Sus scrofa' in the anthology's liner notes.[24] Reznor denied renting the property in an attempt to have the infamy of the massacre associated with his music, and chastised Manson for doing so, saying: "I wasn't trying to create some manufactured spooky matter. Any stupor value to what I was doing was well-nigh trying to sneak subversive things to a wide audition. With [Manson] ... he knew exactly what he was doing and exactly what would exist shocking. Those were very witting decisions on his part. What I was doing wasn't the same thing."[29] The house was demolished in late 1994,[30] with Reznor transporting the original "Pig" door to New Orleans, where information technology was installed as the entrance to his subsequent recording studio, Nothing Studios.[31]

Limerick and style [edit]

The record contains a wide array of cultural references,[24] get-go with the first track: the poem recited in "Prelude (The Family Trip)" is an adaption of a verse form originally from the 1964 novel Charlie and the Chocolate Factory, which afterwards appeared during the tunnel boat ride scene from Willy Wonka & the Chocolate Factory.[32] [33] In his autobiography, The Long Difficult Road Out of Hell, Manson explained that the lyrics to the second song on the album, "Block and Sodomy", were inspired past a trip to New York Metropolis in 1990. He said that he wrote its lyrics in a hotel room subsequently spending several hours viewing public-admission cablevision television and "watching Pat Robertson preach virtually social club's evils and so ask people to phone call him with their credit carte du jour number. On the adjacent aqueduct, a guy was greasing up his cock with Vaseline and asking people to telephone call and give him their credit card number."[34] The song's intro contains several samples, including Marlon Brando in the 1972 film Concluding Tango in Paris saying "Go along and smile, you cunt!", and Mink Stole's grapheme from John Waters' 1977 film Desperate Living repeatedly screaming "White trash!".[24]

"Lunchbox" was inspired past a 1972 law introduced by the Florida Legislature, which made it illegal to acquit a metal lunch-box on school grounds.[35] Information technology tells the story of a bullied kid who uses a dejeuner-box as a defensive weapon, and proclaims that one 24-hour interval he will be a "big stone 'n' roll star".[36] The track incorporates elements from The Crazy Earth of Arthur Brown's 1968 unmarried "Fire".[24] "Organ Grinder" makes employ of various dialogue excerpts of the Kid Catcher from the 1968 motion picture Chitty Chitty Bang Bang, while "Cyclops" contains a distorted sample of the preacher from Poltergeist Ii: The Other Side (1986).[24] [37] "Dope Hat" contains diverse samples of dialogue spoken by Charles Nelson Reilly – the thespian who portrayed Horatio J. HooDoo – in Sid and Marty Krofft'south tv serial Lidsville (1971–73).[24] The lyrics to "Become Your Gunn" were inspired by the murder of Dr. David Gunn, who was killed by a self-proclaimed pro-life activist.[18] Manson later described his murder equally "the ultimate hypocrisy I witnessed growing up: that these people killed someone in the proper noun of being 'pro-life'."[38] The song also features audio from the televised suicide of Pennsylvania Treasurer R. Budd Dwyer.[2] [39] [xl]

"We were using a calculator because nosotros had a lot of samples and sequencing. While we were working on that song the Charles Manson samples from 'My Monkey' started appearing in the mix. All all of a sudden we'd hear, 'Why are the children doing what they're doing? Why does a kid reach up and kill his mom and dad and murder his two petty sisters and then cut his throat?' And nosotros couldn't figure what was going on. The chorus of 'Wrapped in Plastic' is, 'Come into our home/Won't you stay?' And we're in the Sharon Tate house, simply me and Sean Beavan. We got scared and were like, 'We are done for the dark.' We came dorsum the next day and it was fine. The Charles Manson samples weren't even on the tape anymore. There's no existent logical or technological explanation for why they appeared. Information technology was a truly supernatural moment that freaked me out."

—Marilyn Manson discussing paranormal activeness during the mixing of "Wrapped in Plastic".[41]

The title of "Wrapped in Plastic" is a reference to David Lynch'southward boob tube series Twin Peaks, specifically the scene in the airplane pilot episode where Laura Palmer's dead body is discovered wrapped in sheets of plastic.[18] "Dogma" contains a sample of dialogue from John Waters' 1972 film Pinkish Flamingos. Although the clips from Desperate Living on "Cake and Sodomy" and "Misery Automobile" are credited in the liner notes, this clip is not; Waters is additionally thanked in the album credits.[24] "Sugariness Tooth" is the only song on the record for which former bassist Gidget Gein wrote both guitar and bass parts.[24]

A line of dialogue spoken at the starting time of "Ophidian Optics and Sissies" – "Killing is killing whether washed for duty, profit or fun" – is a quote taken from an interview with serial killer Richard Ramirez.[42] "My Monkey" contains numerous samples of interviews from Charles Manson;[43] several of its verses are derived from "Mechanical Man", a vocal from his 1970 anthology Lie: The Love and Terror Cult.[44] Its lyrics are credited simply to "Manson".[24] The song too contains vocals from Robert Pierce, who was 6 years old at the time of its recording.[45] He was the son of Rambler guitarist Richard Pierce, and was introduced to Marilyn Manson when both bands shared a rehearsal space in Florida.[46]

"Misery Machine" is the thirteenth and concluding rails on the album, and contains a sample from "Beep Beep" by The Playmates.[24] The title is a direct reference to the Mystery Machine from the animated television series Scooby-Doo,[18] while a phrase contained in the song, "We're gonna ride to the Abbey of Thelema", is a reference to Aleister Crowley's spiritual philosophy of Thelema: "Practise what thou wilt shall exist the whole of the Police force. Love is the law, honey under will."[47] An untitled hidden track begins a few seconds afterward "Misery Machine", and consists of Stole in Desperate Living screaming "Become home to your female parent! Doesn't she ever spotter you lot!? Tell her this isn't some Communist daycare heart! Tell your female parent I hate her! Tell your female parent I hate you!". After this, a telephone rings for several minutes, followed by an irate answering motorcar bulletin from the female parent of a Manson fan.[24]

The band's vocalist discussed his thoughts on Portrait of an American Family in retrospect with Empyrean Mag, circa May/June 1995:

Well, the whole point of the anthology was that I wanted to say a lot of the things I've said in interviews. Just now I feel like I barbarous brusque, like I didn't say it correct. Perchance I was too vague, or perhaps the songs weren't good enough, or whatever. Only I wanted to accost the hypocrisy of talk show America, how morals are worn as a badge to brand you look good and how information technology's so much easier to talk about your beliefs than to alive up to them. I was very much wrapped upward in the concept that as kids growing up, a lot of the things that we're presented with have deeper meanings than our parents would like us to run into, like Willy Wonka and the Brothers Grimm. Then what I was trying to point out was that when our parents hide the truth from u.s., it'southward more dissentious than if they were to expose usa to things like Marilyn Manson in the first place. My betoken was that in this mode I'm an anti-hero. I think I'll be able to say information technology ameliorate on the side by side album."[48]

Cover and packaging [edit]

The 4-member family depicted on the anthology embrace were created past Manson using papier-mâché and man hair.[eleven] In The Long Hard Route Out of Hell, the vocalist said that a painting past John Wayne Gacy was originally ready to feature every bit the cover; the same painting after appeared on the cover of Acid Bath's 1994 album When the Kite String Pops.[49] Also gear up to appear as function of the album'southward interior artwork was an image of himself as a child sitting naked on a living room couch.[15] Although the photograph was taken by his mother with no vulgar intent, and no genitalia is shown, Interscope'southward parent company Time Warner demanded it exist removed on the grounds that it could constitute child pornography.[North 2] Manson explained the background of the image: "When I was half-dozen years old, that was when Burt Reynolds had posed for Playgirl. My mom thought it'd be funny to take me exercise that pose, lying on a burrow. Information technology'south simply sick if yous take a sick mind. It was innocent."[11] Some other slice of interior photography consisted of an paradigm of a Blythe doll surrounded by Polaroid pictures of a mutilated female trunk, purportedly faked by Manson and several of his friends.[49]

Release and promotion [edit]

When the record was presented to Cypher'south parent company Interscope in January 1994, executives at the characterization refused to release information technology unless all references to Charles Manson were removed. This included altering the ring'due south name, and omitting the song "My Monkey".[N 3] The vocalizer explained: "I think the Axl Rose/Charles Manson thing panicked them. The rut came from the name of our band. They apparently hadn't looked into it very advisedly, and they had this knee-jerk reaction to what we're almost."[xi] Guns N' Roses had faced widespread criticism over the inclusion of "Look at Your Game, Girl" – a embrace of a Charles Manson vocal – every bit a hidden rails on their 1993 album "The Spaghetti Incident?".[l]

During this catamenia, the band'due south management attempted to have it issued through other labels and distributors.[11] They met with Guy Oseary and Freddy DeMann from Maverick Records, Madonna'due south vanity characterization, who were initially worried that their lyrics or prototype included antisemitism,[N 4] although they found this was not the case. Afterward, Maverick offered the ring an alternating bargain.[52] Before this bargain could be finalized, Interscope agreed to release the album,[11] which was issued in the United states of america on July xix, 1994.[18] The Honolulu Star-Bulletin reported that Members of the British Parliament tried to ban the album in the United Kingdom and chosen it an "outrage confronting society."[53] Portrait of an American Family unit was preceded by the release of "Go Your Gunn" as the atomic number 82 single on June ix.[54] Its music video was directed by Rod Chong.[55]

Marilyn Manson performed every bit one of the opening acts on Nine Inch Nails' "Cocky Destruct Bout" throughout 1994.[29] They embarked on their kickoff national headlining tour in Dec,[56] with Monster Voodoo Machine and Arab on Radar supporting.[57] The tour would be problematic, however. The band's vocalist was arrested after the bout'southward first date, in Jacksonville, for allegedly violating Florida's Adult Entertainment Code past simulating sex on stage while wearing a strap-on dildo.[26] He narrowly avoided abort iv nights afterward – on New Yr's Eve in Fort Lauderdale – subsequently Nine Inch Nails guitarist Robin Finck jumped on stage wearing a g-string and attempted to play an unspecified practical joke on the singer involving powdered sugar. Manson reacted by tearing the thou-string off and placing Finck's penis in his rima oris. He hid from local constabulary in a backstage bathroom.[Due north v]

This would also exist drummer Sara Lee Lucas' final tour with the band. Tensions developed between him and Manson as the bout progressed and, during the second-to-concluding show, Manson doused Lucas' drum kit in lighter fluid and gear up it ablaze.[59] He was immediately replaced past Kenneth Wilson, who joined the group as Ginger Fish.[N 6] The "Lunchbox" EP was released on Feb 6, 1995, containing several remixes of the vocal created past Charlie Clouser as well as a comprehend of Gary Numan's "Downward in the Park".[61] Richard Kern directed the music video for the track.[55] Marilyn Manson toured over again in the jump of 1995, opening for Danzig alongside Korn.[62] [63]

"Dope Hat" was issued as a promotional single in the summer of 1995.[64] Its music video was directed by Tom Stern,[65] and was based on the tunnel boat ride scene from Willy Wonka.[66] The band entered Reznor's Nothing Studios in New Orleans to record b-sides for the vocal's release as a commercial single. Nonetheless, the release was cancelled, equally the material recorded during these sessions was compiled into a standalone EP of cover versions, remixes and interludes titled Smells Like Children.[64] Portrait of an American Family was re-released in 2009 as a limited edition green-colored vinyl LP box set, which also contained a T-shirt emblazoned with the album cover.[67]

Critical reception and legacy [edit]

Professional ratings
Review scores
Source Rating
AllMusic [68]
Rolling Stone [69]

The album received mostly positive reviews. Stephen Thomas Erlewine of AllMusic said that "Beneath all the military camp shock, there are signs of [Manson'due south] unerring eye for genuine outrage and musical talent, specially on the trio of 'Cake and Sodomy', 'Lunchbox', and 'Dope Chapeau'."[lxx] Rolling Stone was negative, saying that the album was not the "sharply rendered cultural critique of America [Manson would] like you to think it is. Most of the record comes off like some low-budget horror movie."[69] The publication later revised its view of the record; it was included at number 68 on their 2017 list of The 100 Greatest Metal Albums of All Time.[71] Guitar World ranked the album at number xiii in their listing of the l Iconic Albums That Defined 1994,[72] although they too featured "Cyclops" at number 47 on their listing of the 100 Worst Guitar Solos.[73] Manson himself has been dismissive of the anthology, ranking it in last place of the ring's entire discography in a 2018 listing compiled for Kerrang!.[74] Conversely, Kristy Loye of the Houston Press dubbed it the best anthology of the ring'due south career, writing: "This anthology'south impact on music at the time of release cannot really be underestimated, nor tin can it be accurately described in a short blurb. Like it or not, Marilyn Manson and the Spooky Kids gave rock the nighttime shot in the arm that was needed at the time when music had given itself completely over to the bland and self-indulgent emotional ballads of alt-rock kings like Pearl Jam. Music needed a balance of dark and light and Manson brought the darkness like few were doing at the time when suddenly metal was barely animate."[75]

In a feature written for the twentieth anniversary of the record, Tom Breihan of Stereogum praised the album's product and quality of the band's songwriting, but said that Portrait of an American Family had aged desperately, and was critical of Manson's vocals and the amount of samples used throughout. However, he went on to argue: "What still resonates about Manson isn't really his music, though 1998's Mechanical Animals still stands as a pretty incredible anthology. Manson was a civilisation-war agitator for our side: someone willing to jar and frighten the fuck out of the power structures that seemed there to keep teenagers in their place. His whole thing was a vehement, overblown rejection of vast forces of oppression and control, and his tactics made him a target, both of mass-culture disdain and of superior alt-culture snark. All that was by design. He put himself out in that location to have those attacks. And, on some level, he's a saint for that. Simply past existing, and by moving the baseline, he made lives easier for hundreds of thousands of teenagers. That, rather than 'Cake and Sodomy', is his legacy."[32]

Commercial performance [edit]

Portrait of an American Family failed to chart upon release. Manson later complained: "Well, there was e'er a real fleck on our shoulder that the anthology never really got the push from the record label that nosotros thought it deserved. It was all about us touring our fucking asses off. We toured for two years solid, opening up for Nine Inch Nails for a year and then doing our ain society tours. Information technology was all merely about perseverance."[76] It eventually peaked at number 35 on Billboard 's Top Heatseekers chart, on the issue dated March 25, 1995.[77] The tape was certified gilt past the Recording Industry Association of America in May 2003 for shipments in excess of 500,000 units.[78] Equally of 2015, it has sold over 645,000 copies in the United States.[79] Despite never entering the height 100 of the Britain Albums Chart,[eighty] in 2013 the tape was certified silverish by the British Phonographic Industry, indicating sales[81] in backlog of 60,000 copies in that country.[82]

Runway listing [edit]

All lyrics written by Marilyn Manson, except rail 1 by Manson and Roald Dahl,[24] and track 12 past Marilyn Manson and Charles Manson (uncredited).[7]

Portrait of an American Family unit – Original edition
No. Title Music Length
ane. "Prelude (The Family Trip)"
  • Manson
  • Madonna Wayne Gacy
 1:20
ii. "Cake and Sodomy" Daisy Berkowitz 3:46
three. "Lunchbox"
  • Berkowitz
  • Gidget Gein
 4:32
iv. "Organ Grinder"
  • Gein
  • Berkowitz
 four:22
v. "Cyclops"
  • Berkowitz
  • Gein
  • Gacy
 three:32
half-dozen. "Dope Lid"
  • Manson
  • Berkowitz
  • Gacy
 4:eighteen
7. "Become Your Gunn"
  • Berkowitz
  • Gein
 3:18
8. "Wrapped in Plastic" Berkowitz 5:35
9. "Dogma" Berkowitz 3:22
10. "Sweet Molar"
  • Gacy
  • Gein
 5:03
eleven. "Snake Eyes and Sissies"
  • Gacy
  • Berkowitz
  • Gein
 4:07
12. "My Monkey" Berkowitz four:29
xiii. "Misery Motorcar" ("Misery Machine" ends at 5:09, an excerpt from "Desperate Living" is played until five:28. Phone ringing is heard for 7:10, until an answering car message from an irate mother is heard at 12:38.)
  • Gein
  • Berkowitz
  • Gacy
 xiii:08
Total length: threescore:52
Portrait of an American Family – 1997 Argentinian release[83]
No. Title Author(s) Length
fourteen. "Downwardly in the Park" Gary Numan 5:00
15. "Brown Handbag" (Remix of "Lunchbox" past Charlie Clouser)
  • Manson
  • Berkowitz
  • Gein
 6:nineteen
Full length: 72:11

Sample credits [24] [37]

  • "Prelude (The Family Trip)" contains an adaption of "The Rowing Vocal" past Roald Dahl.
  • "Lunchbox" contains a vocal sample from "Burn down" by The Crazy World of Arthur Brownish.
  • "My Monkey" contains an adaption of "Mechanical Man" past Charles Manson.
  • "Misery Machine" contains an interpolation of "Beep Beep" by The Playmates.
  • The record additionally features excerpts of dialogue from Concluding Tango in Paris, Drastic Living, Chitty Chitty Blindside Blindside, Poltergeist II: The Other Side, Lidsville, Twin Peaks and Pinkish Flamingos.

Personnel [edit]

Credits adapted from AllMusic,[84] and the liner notes of Portrait of an American Family.[24]

Marilyn Manson

  • Marilyn Manson – vocals, brass, loops, production, lyrical adaption, musical composition, artwork, logo (credited equally "accusations, kid manipulations, backwards masking, polaroids, doll family, album design")
  • Daisy Berkowitz – atomic number 82, rhythm, audio-visual and wah-wah guitars, musical composition (credited as "psychoacoustical guitars")
  • Gidget Gein – bass and musical composition
  • Madonna Wayne Gacy – keyboards, calliope, Hammond organ, theremin, saxophone, sound effects, loops, musical composition (credited as "Hammond organ, theremin, saxophone, calliopenis, brass, babies, distorted muzette, loops, Maria, the lamentable pot pie brass department")
  • Sara Lee Lucas – drums and audio furnishings (credited as "hitting")

Production, technical and additional personnel

  • Tom Baker – mastering (at Hereafter Disc, Los Angeles)
  • Sean Beavan – brass (track 12), digital audio editing, programming, engineering, assistant producer, mixing
  • Frank Callari – tour manager (for TCO Group)
  • Charlie Clouser – drums (track 8), African drums, drum programming, digital audio editing
  • Donovan – "tattoos"
  • Mark Freegard – mixing
  • Barry Goldberg – banana engineer
  • Marc Gruber – banana engineer
  • Roli Mosimann – engineering science and original production
  • Alan Moulder – engineering science, assistant producer, mixing
  • Chris Meyer – live sound
  • Hope Nicholls – saxophone (track 7), background vocals (rail nine)
  • Robin Perine – photography
  • Robert Pierce (aged 6) – vocals (tracks 3 and 12)
  • Brian Pollack – assistant engineer
  • Twiggy Ramirez – live bass for the "Portrait of an American Family unit Tour" (credited equally "base tendencies")
  • Trent Reznor – "bionic" guitar (rail iii), contumely (track 12), digital audio editing, programming, production, executive producer, mixing
  • Melissa Romero (aged 19) – 'violation' on "Wrapped in Plastic"
  • Brian Scheuble – assistant engineer
  • Albert Sgambati – "tattoos"
  • Gary Talpas – packaging
  • John Tovar – management (for TCO Group)
  • Chris Vrenna (credited as "Podboy") – percussion (rails 6; credited every bit "skull" on track 10), programming, banana engineer
  • Jeff Weiss – album encompass image and additional photography
  • Wade Wright – "mood lighting"
  • Sioux Z. – publicity (for Formula)

Charts [edit]

Certifications [edit]

References [edit]

Notes

  1. ^ "In an attempt to reiterate the lesson of Willy Wonka in my own style during shows, I hung a ass piñata over the oversupply and put a stick on the edge of the stage. And so I would warn, 'Please, don't break that open. I beg you non to.' Human being psychology being what it is, kids in the crowd would invariably catch the stick and blast the piñata apart, forcing everyone to suffer the result, which would be a shower of moo-cow brains, chicken livers and squealer intestines from [the] disemboweled donkey."[10]
  2. ^ "I wanted to utilise a photo in the booklet of me naked on a burrow when I was a kid. When y'all hold upwardly something to people, usually what they come across in it is what's inside them in the outset identify. And that's what happened considering the lawyers at Interscope said, 'Showtime off, that moving picture'southward going to be considered child pornography, and non only volition no stores bear the album simply we're subject to legal retribution from information technology.' They said if a judge were to wait at it, the law states that if a photograph of a minor elicits sexual excitement then it's considered child pornography. I said, 'That's exactly my bespeak. This is a photograph that was taken past my mother, and it's extremely innocent and very normal. Simply if you run across information technology as sexual, then why am I the guilty person? You're the one who's got a hard-on. Why aren't you lot punished?' That's still a point I'd like to brand."[49]
  3. ^ "[After "The Spaghetti Incident?" was released, Axl Rose] started getting all that oestrus from Sharon Tate's sister and everyone. When our album was finished subsequently that, we had the song 'My Monkey' on information technology but we had this six-year-old kid Robert Pierce singing the Charles Manson lyrics. That was the peachy irony of it: here'southward a child that'due south singing a vocal that to him is an innocuous plant nursery rhyme but to everyone else is this horrible affair. After nosotros turned the album in, I got this call from Trent and John Malm, who'south Trent'southward manager and runs Zip Records. And they're like 'Are y'all willing to put out your album without 'My Monkey' on it?' I asked, 'Why?!' And they said, 'Well, Interscope is having problems because of the shit that Axl Rose has gotten himself into. He'south had to donate the proceeds of the song to the victims' families.' I said, 'Well I don't have a problem doing that. Just explain to me what'south going to happen.' (The unabridged vocal wasn't Charles Manson's song. I just borrowed a few lyrics and the remainder were my ain.) In the finish, Interscope insisted that we accept the song off. I said 'No', so they told us they weren't going to put the album out at all."[45]
  4. ^ "While everything was in the air, Trent backed us up and stood backside us. He told us not to worry because he had an option to put out a record with whatever other characterization as part of his contract with Interscope, even though it technically owned Nothing. So we had Guy Oseary from Maverick Records downwardly to run across us and he brought Freddy DeMann, Madonna's manager. The funniest thing about those guys was the showtime matter they said to me afterwards the prove was 'Are y'all guys Jewish?' And our keyboard player said, 'Yeah, I'm Jewish, but I'thousand not religious. I don't practise information technology.' And they said 'Yep, okay, that'south absurd. We gotta stick together.' We had this whole bonding thing. So they went dorsum to New York and our manager got a call two days later. They asked, 'Nosotros don't really have a problem with Manson's prototype, the tattoos, the clan with the occult and Satanism. But there's something we need to know: Does Manson have whatsoever swastikas tattooed on him?' And he'south similar, 'No. What are you talking about?' They said, 'Well, nosotros just wanted to check because if there's whatever sort of antisemitic message then it'south non something we want to be involved in.' Everything I was doing was and then much about sticking up for the underdog that I couldn't understand how they could misassociate what I was doing like that. It was weird. After my tattoos checked out, they actually offered u.s.a. a deal. Information technology must take lit a burn down under Interscope'southward ass because all all of a sudden Interscope came back and told us they were willing to put out the record and fifty-fifty pay for information technology. Nosotros agreed because nosotros had always wanted Interscope from the get-go. I had religion in that label. I withal do. They had a deal with Fourth dimension Warner, who were the ones causing the problems."[51]
  5. ^ "Only what happened was while we were performing, Robin [Finck], the guitarist in Nine Inch Nails, ran out on stage in a g-string with some kind of powdered confectionery item he planned to dump on me for whatsoever reason. In the midst of this sabotage attempt, I grabbed him and tore his g-cord off and placed his limp, salty penis in my oral fissure and, um, teethed on it for a moment, but not long enough to actually institute a blow-task. ...I didn't have a hard-on, which should relieve me of whatever accusations of it being a degenerate homosexual act. Afterward, he ran off phase sort of embarrassed and I had to flee from the cops when the testify ended. They came backstage looking for me, and I hid in the bathroom where, conveniently, some drugs had been stashed. Luckily, they never issued a warrant for my arrest or prosecuted me for that particular incident."[58]
  6. ^ "Everybody knew that Freddy was going to be fired except for Freddy considering just a week before, while he was polishing his spokes or something, we auditioned a serenity, older drummer from Las Vegas named Kenneth Wilson and asked him to join the band as Ginger Fish. He actually rode the tour bus with us 1 night and nosotros told Freddy that he was simply a friend of our bout managing director. He bought it. We didn't want to be cruel to Freddy because we liked him as a person. We just felt obliged to make his final show with the band a memorable i. ... Nosotros sacrificed Freddy past setting his bass drum on burn, but the whole drum kit flare-up into flames, followed by Freddy. As Freddy escapes backstage to find a burn extinguisher we started nifty everything."[lx]

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Bibliography

  • Manson, Marilyn; Strauss, Neil (February 14, 1998). The Long Hard Route Out of Hell . New York: HarperCollins partitioning ReganBooks. ISBN0-06-039258-4. The Long Difficult Route Out of Hell.

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Source: https://en.wikipedia.org/wiki/Portrait_of_an_American_Family

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